I wonder why feature writing invites so much the journalistic ego in me. it could be because i religiously drool on the fabulous articles they print on Preview, Italian Vogue, and Jane--guess that's where i'm headed to in the future. Love the clothes, love the bags, love the reads, love the life--
(--And for chrissake Gemma Ward's cover shoot for Vogue in February smells like a cup of macchiato and Dunhill lights-delicious. and addicting.!)
oh, and by the way,I live in a repressed realm of fantasy where wearing leg warmers over a pair of Cole flipflops sound silly to some, where my Louis Vuitton speedy bag (which i got as a present) is cursed by everyone because it is overpriced (and because thousands die of hunger, no?)). i live in a third world country where tank tops and superbly underhauled denims dominate my closet instead of chinchilla coats and Lanvin cone heels. In other words, this isn't fashionville for me nor it is pleasantville to some, some call it punishment, i call it obscurity.
and so there i was (backstage, wardrobe area, for the awoo nyt 2007 sponsored by the SSG) standing like a bullfighter as i play my role as the wardrobe master. my time to shine, the cliche goes. after weeks of concept research, collection and selection, and fitting, it all comes down to this big show. and i can't wait to show the underrepresented fashionistas in the audience my thing.
(this reminds me of a backstage peek at Chanel's Cruise Collection runway show for 2008. Karl Lagerfeld screams like a little-boy-who-wished-he's-an-adult, "shoes! hair! make-up!go!go! everybody line up!")
and i wonder how people, particularly Filipinos, could take for granted all the efforts that were put into making a cohesive fashion collection for all the consumers to, of course, consume. i wonder why they keep on babbling that fashion is evil when fashion is within, amongst, and in our DNA. well, hey, good and evil is within us nay?
i definitely live in a pathetic world. and i couldn't be more pathetic. it's long overdue.
a couple of years back i got the stint to study in a London-based Italian Fashion School, well, it sounds cool alright, but apparently they only have Master programmes, and for chrissake i'm an UNDERGRADUATE with unsigned, unsealed, undelivered units all ova my face. so i decided to finish this they-call-it-lucrative degree in English Linguistics here in the province and head back to Manila to pursue a course in er, uhm, Fashion Merchandising and design. (how could the Ateneo folks push me to write about hybridism, nativism, phonology and semantics when all i wanted to do all my life is make clothes, shop, make beautiful things, shop, write beautiful, uber posse happy things, and shop??!-- i rest my case.) My last resort? nothing. push this, push that till the juice splurges outta me.
so you know what's running in my mind right now? that this flare will fuel much of what i needed to become a writer--a fashion feature writer! more! more! more!
so enough with the drug/sex/violence/faith/hope/love bashing part and i'm now ready to look under the skirts of the world's most glamorous industry-le mode. le fashion.
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